University of Toronto St. George Campus - Literature
Full Professor
Joined the Centre for Comparative Literature as Core Faculty.
Associate Professor
Hired with tenure.
Full Professor
Promoted to Full Professor
Project Professor (Tokunin Kyōju)
Offered an intensive graduate seminar; conducted research.
Visiting Assistant Professor
Premdern Japanese Literature
Assistant Professor
Japanese Literature
Associate Professor
Japanese Literature
Master of Arts (M.A.)
Comparative Literature
Bachelor of Arts (B.A.)
British Studies, Arts and Sciences
Doctor of Philosophy (Ph.D.)
Asian Studies/Civilization
Yûshôdô
Atsuko Sakaki is the guest editor of this issue, who wrote the introduction and contributed an essay.
Yûshôdô
Atsuko Sakaki is the guest editor of this issue, who wrote the introduction and contributed an essay.
University of Hawai'i Press
Yûshôdô
Atsuko Sakaki is the guest editor of this issue, who wrote the introduction and contributed an essay.
University of Hawai'i Press
M. E. Sharpe (1998); Routledge (2015)
Kurahashi Yumiko's original stories selected, translated from the Japanese and introduced by Atsuko Sakaki. Apparently now available in Kindle Edition.
Yûshôdô
Atsuko Sakaki is the guest editor of this issue, who wrote the introduction and contributed an essay.
University of Hawai'i Press
M. E. Sharpe (1998); Routledge (2015)
Kurahashi Yumiko's original stories selected, translated from the Japanese and introduced by Atsuko Sakaki. Apparently now available in Kindle Edition.
Brill
In The Rhetoric of Photography in Modern Japanese Literature, Atsuko Sakaki closely examines photography-inspired texts by four Japanese novelists: Tanizaki Jun’ichirō (1886-1965), Abe Kōbō (1924-93), Horie Toshiyuki (b. 1964) and Kanai Mieko (b. 1947). As connoisseurs, practitioners or critics of this visual medium, these authors look beyond photographs’ status as images that document and verify empirical incidents and existences, articulating instead the physical process of photographic production and photographs’ material presence in human lives. This book offers insight into the engagement with photography in Japanese literary texts as a means of bringing forgotten subject-object dynamics to light. It calls for a fundamental reconfiguration of the parameters of modern print culture and its presumption of the transparency of agents of representation.
Yûshôdô
Atsuko Sakaki is the guest editor of this issue, who wrote the introduction and contributed an essay.
University of Hawai'i Press
M. E. Sharpe (1998); Routledge (2015)
Kurahashi Yumiko's original stories selected, translated from the Japanese and introduced by Atsuko Sakaki. Apparently now available in Kindle Edition.
Brill
In The Rhetoric of Photography in Modern Japanese Literature, Atsuko Sakaki closely examines photography-inspired texts by four Japanese novelists: Tanizaki Jun’ichirō (1886-1965), Abe Kōbō (1924-93), Horie Toshiyuki (b. 1964) and Kanai Mieko (b. 1947). As connoisseurs, practitioners or critics of this visual medium, these authors look beyond photographs’ status as images that document and verify empirical incidents and existences, articulating instead the physical process of photographic production and photographs’ material presence in human lives. This book offers insight into the engagement with photography in Japanese literary texts as a means of bringing forgotten subject-object dynamics to light. It calls for a fundamental reconfiguration of the parameters of modern print culture and its presumption of the transparency of agents of representation.
Harvard Asia Center (Distributed by Harvard University Press)